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← 318 U.S. 643 - Fred Fisher Music Co. v. M. Witmark & Sons

Fred Fisher Music Co. v. M. Witmark & Sons’s Empirical Analysis

318 U.S. 643 · 1943

Citation profile

247
cited by 247 later decisions
14
cited 14 times by the Supreme Court
1
states following
May 2022
most recently cited

117 federal appellate · 20 district · 1 state decisions

How this case has been cited

Cited by 247 later decisions (14 by the Supreme Court) — most recently May 2022 · most notably De Sylva v. Ballentine (1956), Stewart v. Abend (1990)

117 federal appellate · 20 district · 1 state decisions

590194319501960197019801990200020102020decided

Later decisions citing this case, by decade. The current decade is in progress, and our corpus holds fewer opinions from the most recent years, so the latest bars are undercounted — not a real decline.

Appellate journey

reviewedM. Witmark & Sons v. Fred Fisher Music Co. (from Second Circuit Court of Appeals)

Relationships

Relies on Union Pacific Railroad v. Public Service Commission · The Elfrida · Lonergan v. Buford · Post v. Jones

Most-quoted passages

The sentences later courts lift from this opinion, ranked by how many decisions quote each — the parts of the opinion doing the work. These counts are smaller than the citation total above because most of the 247 citing decisions cite the case generally; a passage count includes only decisions quoting that exact language verbatim.

  1. “It is not for courts to judge whether the interests of authors clearly lie upon one side of this question rather than the other. If an author cannot make an effective assignment of his renewal, it may be worthless to him when he is most in need. Nobody would pay an author for something he cannot sell. We cannot draw a principle of law from the familiar stories of garret-poverty of some men of literary genius. Even if we could do so, we cannot say that such men would regard with favor a rule of law preventing them from realizing on their assets when they are most in need of funds. Nor can we be unmindful of the fact that authors have themselves devised means of safeguarding their interests. We do not have such assured knowledge about authorship, and particularly about song writing, or the psychology of gifted writers and composers, as to justify us as judges in importing into Congressional legislation a denial to authors of the freedom to dispose of their property possessed by others. While authors may have habits making for intermittent want, they may have no less a spirit of independence which would resent treatment of them as wards under guardianship of the law.”
    4 later decisions quote this exact passage · from the majority
  2. ““[T]he author of such work, if still living, or the widow, widower, or children of the author, if the author be not living, or if such author, widow, widower, or children be not living, then the author’s executors, or in the absence of a will, his next of kin shall be entitled to a renewal and extension of the copyright in such work for a further term of twenty-eight years when application for such renewal and extension shall have been made to the copyright office and duly registered therein within one year prior to the expiration of the original term of copyright.””
    2 later decisions quote this exact passage · from the majority
  3. “). 51 The second concept — the renewal term — is a distinctive feature of the 1909 Act, not carried into the 1976 Act for works created on or after January 1, 1978, see 17 U.S.C. § 302(a) (establishing single copyright term). 7 As enacted, the 1909 Act authorized an original term of 28 years and a renewal term of an additional 28 years, 8 if application for the renewal term was made "within one year prior to the expiration of the original term.”
    1 later decision quote this exact passage · from the majority

How this case has been treated — in progress

Whether each later court followed, distinguished, criticized, or overruled this decision. The treatment classification (task #35) runs highest-cited cases first and lights up here as it reaches this one.